The icon that I chose to compare to the novel Metamorphosis, by Franz Kafka, was sundry(a) in 1937 by Salvatore Dali. Dali is an established Surrealist painter, who, like Kafka, explored his own feeling and dreams in his work. Dali invented a process, called the paranoiac critical method, which is used in this painting, to attend up his creative process. As Dali described it, his aim in painting was to materialize the images of concrete irrationality with the most imperialistic exasperation of precision...in order that the orbit of imagination and of concrete irrationality may be as object glass glassively evident...as that of the exterior world of phenomenal reality.1 The rich landscape, seems to be limitless in concomitant. Dali rendered either detail of this landscape with precise accuracy, striving to make his paintings as lifelike as possible. Â Â Â Â Â Â Â Â In Greek mythology, Narcissus was a exquisite five-year-old youth, who fell in love with his o wn reflection, and then drowned grade trying to embrace himself. His body was never recovered, but a flower, which was named after him was. The left side of this painting shows the kneeling Narcissus, work by the craggy rocks of what could only be Cape Creuss. On the right side of the painting, the scene has morphed into a more finished and classical scene, in which the kneeling Narcissus has become the statue of a hand, shoes a cracked egg, from which emerges The Narcissus flower. Â Â Â Â Â Â Â Â This painting reminded me of the runner chapter of Metamorphosis, where the main character, Gregor Samsa, scratch line realizes that he is confronted with a ludicrous fate in the dispose of a gigantic insect. In both Kafkas and Dalis work, I find that they both implement a certain receding technique. Dali tends to put an object (In this case, Narcissus) In the foreground, and the background of... If you want to get a incl ude essay, order it on our website: BestEssayCheap.com
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